The bottle bit me down chords george jones tonight

Nothing Ever Hurt Me (half As Bad As Losing You)

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Slide guitar is a particular technique for playing the guitar that is often used in blues -style music. The technique involves placing an object against the strings while playing to create glissando effects and deep vibratos that make the music emotionally expressive. It typically the bottle bit me down chords george jones tonight playing the guitar in the the bottle bit me down chords george jones tonight position flat against the body with the use of a tubular "slide" fitted on one of the guitarist's fingers.

The slide may be a metal or glass tube like the neck of a bottle. The term " bottleneck " was historically used to describe this type of playing. The strings the bottle bit me down chords george jones tonight typically plucked while the slide is moved over the strings to change the pitch.

The guitar may also be placed on the player's lap and played with the bottle bit me down chords george jones tonight hand-held bar and is then referred to as "lap slide guitar" or " lap steel guitar ".

Creating music with a slide of some type has been traced back to primitive stringed instruments in African culture and also to the origin of the steel guitar in Hawaii. Near the beginning of the twentieth century, blues musicians in the Mississippi Delta popularized the bottleneck slide guitar style, and the first recording of slide guitar was by Sylvester Weaver in Since the s, performers including Robert NighthawkEarl HookerElmore James and Muddy Waters popularized slide guitar in the electric blues genre and influenced later slide guitarists in the rock genre including the Rolling StonesDuane Allman and Ry Cooder.

The technique of using a hard object against a plucked string goes back to the " diddley bow " derived from a one-stringed African instrument. The "diddley bow" is believed to be one of the ancestors of the bottleneck style. Near the end of the nineteenth century, a Hawaiian named Joseph Kekuku became proficient in playing this way using a steel bar against the guitar strings.

The bar was called the "steel" and was the source of the name "steel the bottle bit me down chords george jones tonight. Kekuku popularized the method and some sources claim he originated the technique. Hoopii's playing became popular in the late s and he recorded songs like "Hula Blues" and "Farewell Blues".

According to author Pete Madsen, "[Hoopii's playing] would influence a legion of players from rural Mississippi.

Most players of blues slide guitar were from the southern US particularly the Mississippi Deltaand their music was likely from an African origin handed down to African-American sharecroppers who sang as they toiled in the fields. Handy commented on the first time he heard slide guitar inwhen a blues player performed in a local train the bottle bit me down chords george jones tonight The effect was unforgettable. In the early twentieth century, steel guitar playing divided into two streams: When the guitar was electrified in the s, it allowed solos on the instrument to be more audible, and the bottle bit me down chords george jones tonight more prominently featured.

In the s, players like Robert Nighthawk and Earl Hooker popularized electric slide guitar; but, unlike their predecessors, they used standard tuning. Kingand others. Nighthawk is credited as one who helped bring music from Mississippi into the Chicago blues style of "electric blues". As a teenager, Earl Hooker a cousin of John Lee Hooker sought out Nighthawk as his teacher [24] and in the late s, the two toured the South extensively. Although Muddy Waters made his earliest recordings using an acoustic slide guitar, [37] as a guitarist, he was best known for his electric slide playing.

That added to the excitement of his playing. Rock musicians began exploring electric slide guitar in the early s. In Chicago, Mike Bloomfield frequented blues clubs as early as the late s and by the early s Muddy Waters and harmonica virtuoso Little Walter encouraged him and occasionally allowed him to sit in on jam sessions.

He learned a lot of slide from me. Plus I guess he picked up a little lick or two from me, but he learned how to play a lot of slide and pick a lot of guitar. On the second Butterfield album, East-West ], songs such as " Walkin' Blues " and " Two Trains Running " include slide playing that brought him to the audience's attention.

Ry Cooder was a child music prodigy and at age 15, began working on bottleneck guitar techniques and learned Robert Johnson songs. Inhe recorded his own self titled debut albumwhich included the Blind Willie Johnson classic slide instrumental " Dark Was the Night, Cold Was the Ground " re-recorded in for the soundtrack to Paris, Texas.

Recognized as a master of slide guitar by[57] Cooder collaborated with the Rolling Stones on recording sessions and is credited with showing Keith Richards the open G tuning, which Richards then adopted in songs such as " Gimme Shelter ", " Jumping Jack Flash ", " Start Me Up " and " Brown Sugar ".

The slide guitar, according to music educator Keith Wyatt, can be thought of as a "one-finger fretless guitar". The slide is pressed lightly against the strings to avoid hitting against the frets, and is kept parallel with them. The frets are used only as a visual reference, and playing in tune without them requires additional skill. In this playing technique the player's remaining fingers and thumb still have access to the frets, and may be used for playing rhythmic accompaniment or reaching additional notes.

Most early blues players used open tunings, but most modern slide players use both. Two-note intervals can be played by slanting the slide on certain notes see photo. The latter is the tuning introduced to Keith Richards by Ry Cooder. Other tunings are also used, in particular the drop D tuning low E string tuned down to D is used by many slide players.

This tuning allows for power chordswhich contain root, fifth and eighth octave notes in the bass strings and conventional tuning for the rest of the strings. The National String Instrument Corporation produced the first metal-body resonator guitars in the late s see image at beginning of article. The resonator is a large aluminum cone, resembling an inverted loudspeaker, attached under the bridge of a guitar, mandolin, ukulele or similar instrument to increase its volume.

Tampa Red played a gold-plated National Tricone style 4, and was of the first black musicians to record with it. The horizontal position is also known as "Hawaiian style" [71] There are various instruments specifically made or adapted to play in the table-top position, including:.

Proper terminology for the hand-held bar used is "steel" or " tone bar " rather than "slide". That said, not even the manufacturers and players of the many variants of these instruments agree on basic terminology. Buddy Woods was a Louisiana street performer who recorded in the s. Turner was also a good storyteller, which enabled him to host a radio program in The bottle bit me down chords george jones tonight Worth called The Black Ace. Turner was featured in a documentary film entitled The Blues.

Freddie Roulette born Frederick Martin Roulette is a San Francisco-based lap steel blues artist who became interested in the lap steel guitar at an early age and became proficient enough to play in Chicago blues clubs with prominent players. A slide used around a player's finger can be made with any type of smooth hard material that allows tones to resonate. Different materials cause subtle differences in sustaintimbreand loudness the bottle bit me down chords george jones tonight glass or metal are the most common choices.

A shorter slide allows the fingertip to protrude from the slide and allow that finger to be used to fret. Improvised slides are common, including pipes, rings, spoons, and glass bottle necks.

Duane Allman used a glass Coricidin medicine bottle. Blues guitarist CeDell Davis used a butterknife. For guitars designed to be played on the lap, the performer uses a solid piece of steel rather than a hollow tube. The choice of shape and size is a matter of personal preference. Some lap slide guitar players choose a steel with a deep indentation or groove on each side so it can be held firmlyand may have squared-off ends see photo.

The better grip may facilitate playing the rapid vibratos in blues music. This design facilitates hammer-on and pull-off notes. From Wikipedia, the free encyclopedia. Elmore James' "Dust My Broom". The name of the song became associated with that tuning. Retrieved October 5, Hawaiian Steel Guitar Association. Retrieved October 12, Retrieved October 28, Retrieved October 19, Retrieved October 30, Handy Encounters the Blues". Retrieved October 10, Retrieved October 11, Retrieved November 11, Slide Guitar, Past and Present".

Retrieved October 15, Retrieved October 16, A Master of Good Time Music". David Fricke's Picks — 8. Retrieved October 18, Retrieved October 29, Retrieved October 31, Retrieved November 25, University of Illinois Press.

Retrieved December 5, Retrieved November 29, Retrieved November 22, Retrieved November 26, Retrieved November 27, Retrieved October 22, Open Slide and the bottle bit me down chords george jones tonight guitar. Retrieved from " https: Guitars Guitar performance techniques Continuous pitch instruments Hawaiian musical instruments Blues Blues music genres American blues guitarists Slide guitarists Guitarists from Mississippi 20th-century American guitarists Steel guitarists Guitarists from Hawaii Rock guitarists.

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The first time Vince Gill played music in front of anybody was in the second grade. He played "House of the Rising Sun. It's a good thing for us, though, that he's still carrying those scars lightly, since the passion and love for music and the talent he displayed all those years ago as a youngster continue to propel him into new musical territory.

Gill is a musician's musician, forever looking for the next just-right note, an inventive delivery of a tune, a crafty way to pen a lyric, or a fresh way to blend traditional music with more contemporary musical idioms. If you go only by the numbers, of course, he's been a huge success: But numbers aren't how Gill measures his success or what motivates him these days; he gets a kick out of playing with rockers like Eric Clapton and Joe Walsh and bluesmen like Keb' Mo' and Robert Cray.

In Nashville, Gill carries on a grand tradition of established country musicians, lending wisdom and helping hands to younger musicians who are navigating their way in the often choppy waters of the country music scene.

And, I'm still having fun playing music. The only reason I wanted to play music in the first place was that it made me emotional. This one tune alone is proof enough that, in Gill's hands, even a sad song turns into a joyful dance groove that gets you moving despite its subject.

In the last 24 bars of the song, Gill bends the strings crisply as the notes climb higher and higher into an ethereal space. All is right with the world when the one you love is sitting by your side, no matter where you're headed, and it seems like it can last forever. Your kisses feel like nothing I've ever known we'll take the long way down a two-lane highway headed for nowhere just me and my girl. He sings about the excruciating moments of watching an old lover with someone new, as you remember the passionate moments the two of you once shared.

It's an "I-can't-quit-you-baby" tune that balances the power of attraction with the overpowering weight of regret. It's a sizzling, simmering, down-to-the-bone embrace of lust. The beauty of the song is its acknowledgement that this desire for your lover gets right down into every corner of your body and soul, always leaving you burning for more.

Paul Franklin's steel soars on the bridge. It's one of Gill's best country tunes, and a great tribute to his late friend, the king of broken hearts. I hope so, but I bet I have a few left. You know, the way I came up with that song is that I ran into a friend at breakfast one morning and asked him how he was doing. He told me, "I'm down to my last bad habit. He was my greatest inspiration, I believe.

I got to sing on four or five songs on the new record he was working on. I just adored that man. He has the greatest collection of songs ever. I could sing one after another: This new album has a nice, diverse group of songs on it, but only one that might be called a country song. I'll always be somebody who makes traditional country music but I also get to play with guitarists like Eric Clapton. If you could put together a guitar supergroup like Kooper, Bloomfield, and Stills, who would you want to include?

This new album is about all forms of love: I didn't realize that until we finished it. I always pick what my ears tell me might work. I love when a new artist comes along and I love the voice. I wish we could learn a lesson about how compelling a song that is, and I said to myself "why not sing with her?

I like telling a story, and I have a knack for being able to tell one. How do you serve the song the best? Say the most with the least. Learn not to waste your time. With me, sometimes it's the fine tuning. Great art is never finished, it's just abandoned. Part of the charm of getting better is listening to old records and cringing. Somebody once told me that there are drainers and refillers; which do you want to be?

I'm not a drainer; I like to encourage younger artists. I think these kids are living their dreams, doing what they're compelled to do. I get to like what I like.

There's never been a golden era of country music; every year, every decade it has changed; country music does what it does, and great stuff floats through like it does in every era. Ashley Monroe has a killer voice and killer songs. Cam has a great voice, and Charlie Worsham is trying to get that big lick. Chris Stapleton, he's like Ray Charles; he's undeniable. If I could have seen the future I would have been scared to death.

I wouldn't want to know how it ended. It's been more interesting; I like the surprises of life. I have the next three or four records in my head. I want to make another album with Paul Franklin. I want to do a pared down record that touches on dark and tragic subjects; it's important to talk about those.

My manager, Larry Fitzgerald, wants me to do a book about my guitars. Vince is a super nice guy in addition to being a great musician. I met him many many years ago at a small gig when he was in Pure Prarie League I'm a big Vince fan and I'm looking forward to listening to this project; even more so since reading this piece.

I would respectfully differ with you on one small point: Thanks for your note, Henry. Thanks for the comment Jesse. I'm a big fan of the "East Texas Shuffle". I think it is also known in the business as the "Ray Price Beat". I've been calling it the "dancehall beat", "honky-tonk shuffle", or "country shuffle".

Since a lot of the early blues stars came from East Texas, I'm wondering if there is a connection. There's a great book about that by James L. I'm not an expert or a music historian by any means Dave, so what I'm about to say is strictly my personal opinion. But the shuffle is a fascinating part of music. The difference is because the "push" on the "and" preceding the beat is slightly different.

If you put the '56 version of Crazy Arms up against Wilbert Harrison's Kansas City from '59, you can hear the difference. They're almost exactly the same tempo but the feel is totally different. Again in my experience, most people who play a shuffle are usually playing a blues shuffle.

There's a real art to that East Texas shuffle and not a lot of people can play it right. That's my two cents worth! Skip to main content. It's an "I-can't-quit-you-baby" tune that balances the power of attraction with the overpowering weight of regret Little Big Town joins Gill for "Take Me Down," which opening with guitar riffs that echo Fleetwood Mac's "Rhiannon" a motif that runs through the entire song.

Read More About Vince Gill. Bluegrass Rambles by Ted Lehmann on July 18, Great job on the article and interview Henry! Once again, no criticism intended, and many thanks for all you do. My pleasure Sir, I'm a big fan. And thank you for your note. Spring issue Available NOW: Get your Journal today! Privacy Terms of Service.

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